| 1 |
12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny) |
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| 2 |
12 Etudes, L.136: 2. Pour les Tierces |
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| 3 |
12 Etudes, L.136: 3. Pour les Quartes |
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| 4 |
12 Etudes, L.136: 4. Pour les Sixtes |
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| 5 |
12 Etudes, L.136: 5. Pour les Octaves |
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| 6 |
12 Etudes, L.136: 6. Pour les huit doigts |
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| 7 |
12 Etudes, L.136: 7. Pour les Degrés chromatiques |
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| 8 |
12 Etudes, L.136: 8. Pour les Agréments |
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| 9 |
12 Etudes, L.136: 9. Pour les Notes répétées |
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| 10 |
12 Etudes, L.136: 10. Pour les Sonorités opposées |
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| 11 |
12 Etudes, L.136: 11. Pour les Arpèges composés |
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| 12 |
12 Etudes, L.136: 12. Pour les Accords |
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| 13 |
D'un cahier d'esquisses |
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| 14 |
La plus que lente (L. 121) |
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| 15 |
Suite bergamasque, L.75: 1. Prélude |
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| 16 |
Suite bergamasque, L.75: 2. Menuet |
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| 17 |
Suite bergamasque, L.75: 3. Clair de lune |
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| 18 |
Suite bergamasque, L.75: 4. Passepied |
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| 19 |
Danse (Tarantelle styrienne) (L. 69) |
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| 20 |
Valse romantique (L. 71) |
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